How to Deal with the Lies and the Lying Liars When They Lie about “Bowling for Columbine”
One thing you get used to when you’re in what’s called “the public eye” is reading the humorous fiction that others like to write about you. For instance, I have read in quite respectable and trustworthy publications that a) I’m a college graduate (I’m not), b) I was a factory worker (I quit the first day), and c) I have two brothers (I have none). Newsweek wrote that I live in a penthouse on Central Park West (I live above a Baby Gap store, and not on any park), and the Internet Movie Database once listed me as the director of the Elvis movie, “Blue Hawaii” ( I was 6 at the time the film was made, but I was quite skilled in directing my sisters in building me a snowman). Lately, my favorite mistake is the one many reviewers made crediting the cartoon in “Bowling for Columbine” as being the work of the “South Park” creators. It isn’t. I wrote it and my buddy Harold Moss’s animation studio drew it.
I’ve enjoyed reading these inventions/mistakes about this “Michael Moore.” I mean, who wouldn’t want to fantasize about living in penthouses roughhousing with brothers you never had. But lately I’ve begun to see so many things about me or my work that aren’t true. It’s become so easy to spread these fictions through the internet (thanks mostly to lazy reporters or web junkies who do all their research by typing in “key words” and then just repeat the same mistakes). And so I wonder that if I don’t correct the record, then all of the people who don’t know better may just end up being filled with a bunch of stuff that isn’t true.
Of course, it would take a lot of my time to contact all these sites and media outlets to correct their errors and I think it’s more important I spend my time on my next book or movie so I just let it ride. But is that fair to you, the reader, who has now been told something that isn’t true?
With the unexpected and overwhelming success of “Bowling for Columbine” and “Stupid White Men,” the fiction that has been written or spoken about me and my work has reached a whole new level of storytelling. It’s no longer about making some simple errors or calling me “Roger” Moore. It is now about organized groups going full blast trying to discredit me by knowingly making up lies and repeating them over and over in the hopes that people will believe them